‘These individuals do not carry forward any kind of process but live contemporaneously with one another, thanks to history… one giant calls to another across the desert intervals of time and, undisturbed by the excited chattering dwarfs who creep about beneath them, the exalted spirit-dialogue goes on. It is the task of history to be the mediator between them and us again and again to inspire and lend the strength for the production of the great man. No, the goal of humanity cannot lie in its end but only in its highest exemplars’ (UM, 111)
He goes on in another place: ‘humanity grows only through veneration of what is rare and great. Even something that is merely imagined to be rare and great, something miraculous, for example, has that effect. Fright is the best part of humanity,’ (CW11, 30). As we have seen with his account of the master and slave, Nietzsche views the masters as the creators of society. Mores are forged by the actions of powerful individual personalities, not by the immanent social rationality of communal practice. This is the basis for his critique of the Enlightenment ideal of humanity. This ideal is an abstraction. Achievements are never of equal value: the ascent of humanity is represented only by superior individuals and any hindrance to them, like misguided ”humanitarianism”, is a crime against humanity. The ethical corollary of this account of history as a series of peaks, incommensurable and impossible to rank, is the rejection of all herd ideas of the common good that find expression in the fiction of humanitas. As we have seen already, Nietzsche argues that the normal dynamics of society favoring stability, security and material well-being further undermine the possibilities of great achievement: ‘Has it been noticed that in heaven all the interesting men are missing? —Just a hint to the girls as to where they can best find their salvation’ (WP, 467) Nietzsche’s aim is to expose social ideals that support only the sickly and the botched and to point to the conditions and creative devices that allow peak achievements to be not just sustained but encouraged. This is the idea of culture as “improved physis”
18. While Nietzsche views individuals as the bearers of culture, this does not signify historical evolution: this does not mean that history has a goal or a supra-individual meaning. Life is open-ended, achievements are just way-stations not to a single pre-determined telos but to still higher stages. What is the meaning of life in a world where "God is dead", where we can no longer tolerate appeals to transcendent meanings, where the challenge is to live without illusions, where the only purpose must be immanent? Nietzsche's answers to these questions all centered around the notion of the individual or, more precisely, the noble, higher individuals. In a completely de-mythologised vision of life, only the activity of the higher man striving for self-overcoming, striving for cultural perfection and the creation of higher values makes life worth living at all.
Lecture 12: Nietzsche Critique
19. I now
want to briefly consider his attitude to nationalism. This is particularly
interesting in so far as its in his time that Germany finally achieves
unification in 1866 and founds the Second Reich after Bismarck’s triumphant
diplomatic and military victory over the French in 1871. The belated character of
the German development to nationhood had meant that the idea of nation had
primarily a cultural meaning in the German context. Nationhood referred to
language and the classical cultural achievement of the late 18th century. The
importance of culture in this constellation gave it an unprecedented role in
thinking about the nation. This was especially the case for the
Bildungsburgertum, the cultured bourgeois class to which the intellectuals
belonged. Against this background it is not surprising that somebody like
Nietzsche, primarily concerned with questions of culture, should conceive the
question of German nationhood intimately connected to cultural expectations. As
a young man during the wars of unification he had affirmed the idea of the
German nation-state and expected that new political epoch engendered by the
unification of 1866 would bringa about its cultural blossoming. While initially
surprised by Bismarck’s achievement he is not opposed to even the new
militarism. The strategy that achieved German unification involved little in
the way of devastation or comparative loss of life. It was easy to hold on to
Hegel’s relatively benign view of war. War turns the individual away from
private concerns, it tests the great man and generates the energy and inspiration
for cultural achievement. Initially, war fitted neatly into Nietzsche’s own
paradigm of agonal context in social and cultural life where great vitality and
achievement is a product of tension, struggle and comparability. This allows
him to celebrate and aestheticize war associating it with martial virtue,
spiritualisation and manliness. Nevertheless, Nietzsche increasingly expresses
concerns about the disappearance of the flower of the new generation and its
cultural costs. However, it is still no surprise to find that Nietzsche was
very popular in the trenches of the First World War. Incidentally, after being
discharged during officer training from a horse raiding accident, Nietzsche
volunteered to serve as an ambulance officer at the front against the French
despite his various illnesses and even after he had renounced his German
citizenship to take up his Professorship at Basle.
2o. However, his attitude to German Nationalism changes after 1871. The triumphalism of the founding era and worship of victory threatened the basis of his elitist and tragic neo-Hellenic program for cultural renewal. He came to believe that the scale of the German victory and its new European hegemony had undercut the limits and agonal tensions of balance of power Realpolitik. German unity soon appeared to be more about business, taxes and military obligations than illusory cultural renewal. In its place came the pseudo-democratic spectacles of imperial grandeur and a heightened sense of relative European cultural inferiority. Now Nietzsche repudiates his initial equation of national unity with cultural effervescence. He argues that the political growth of the nation induces intellectual impoverishment, lassitude and diminished capacity for specialised works like cultural production. This feeling was compounded by his break with Wagner and his realisation that he could not be the bearer of a new religion of art. Post-war German culture is unworthy of his former ideals and nationalism is denounced as the bearer of barbarism and backwardness. He increasing comes to view it as an ideology functioning only as a weapon to ward of the threat of social revolution. Although himself no stranger to social anti-Semitism, he rejects the use of heightened anti-Semitism as a political tool of Nationalism. His final stance is that of the good European. In his last decade he becomes the representative of a sort of aristocratic cosmopolitanism. But he is an aristocrat of the spirit not of birth. The coming ruling class is justified not on the basis of race or of national greatness but of European unity. He comes to believe that a world economy would inevitably bring a world literature and the European unity formerly envisaged by Goethe and Napoleon. Increasingly alienated from German events, he finally projects himself as speaking for the handful of European thinkers who really matter or to a posited future audience of European “free spirits”. He senses that Germany and the West are in a spiritual trough but anticipates that he can lead the avant guard of an envisaged new height.
21 . To reinforce the stark and uncompromising foundation on which he requires life to be affirmed, the mature Nietzsche introduces a new myth. While the Christian faithful found solace in the promise of the eternal afterlife, Nietzsche has recourse to a reworked version of the pagan idea of "eternal recurrence" not in order to comfort but to reinforce the absolute necessity to take this earthly, immediate life with both hands. Although there are several formulations in Nietzsche, the first comes in the Gay Science (341):
‘This life, as thou livest it now, as thou has lived it, thou needst must live it again, and an infinite number of times; and there will be in it nothing new; but every grief and every joy, every thought and every sigh; the infinitely great and the infinitely little in thy life must return for thee, and all in the same sequence and the same order.’
The idea of the eternal recurrence is a metaphysical hypothesis about the fundamental structure of the world put into the service of empowering the individual will to become a law unto itself. As we have seen, Nietzsche rejects all alternative views of freedom like Kantian autonomy or modern liberalism as too ascetic or egalitarian. If the highest thing in the good life is the absolute liberation and supreme empowerment of the creative will, the individual cannot remain prisoner of the past and of time. His interpretation of eternity maintains that all things are knotted together. The mastery in the present moment of willing allows the mastery of the whole because here the past, present and future form an essential unity. A genuine assertion of will in the present simultaneously affirms and conquers both past and future.
2o. However, his attitude to German Nationalism changes after 1871. The triumphalism of the founding era and worship of victory threatened the basis of his elitist and tragic neo-Hellenic program for cultural renewal. He came to believe that the scale of the German victory and its new European hegemony had undercut the limits and agonal tensions of balance of power Realpolitik. German unity soon appeared to be more about business, taxes and military obligations than illusory cultural renewal. In its place came the pseudo-democratic spectacles of imperial grandeur and a heightened sense of relative European cultural inferiority. Now Nietzsche repudiates his initial equation of national unity with cultural effervescence. He argues that the political growth of the nation induces intellectual impoverishment, lassitude and diminished capacity for specialised works like cultural production. This feeling was compounded by his break with Wagner and his realisation that he could not be the bearer of a new religion of art. Post-war German culture is unworthy of his former ideals and nationalism is denounced as the bearer of barbarism and backwardness. He increasing comes to view it as an ideology functioning only as a weapon to ward of the threat of social revolution. Although himself no stranger to social anti-Semitism, he rejects the use of heightened anti-Semitism as a political tool of Nationalism. His final stance is that of the good European. In his last decade he becomes the representative of a sort of aristocratic cosmopolitanism. But he is an aristocrat of the spirit not of birth. The coming ruling class is justified not on the basis of race or of national greatness but of European unity. He comes to believe that a world economy would inevitably bring a world literature and the European unity formerly envisaged by Goethe and Napoleon. Increasingly alienated from German events, he finally projects himself as speaking for the handful of European thinkers who really matter or to a posited future audience of European “free spirits”. He senses that Germany and the West are in a spiritual trough but anticipates that he can lead the avant guard of an envisaged new height.
21 . To reinforce the stark and uncompromising foundation on which he requires life to be affirmed, the mature Nietzsche introduces a new myth. While the Christian faithful found solace in the promise of the eternal afterlife, Nietzsche has recourse to a reworked version of the pagan idea of "eternal recurrence" not in order to comfort but to reinforce the absolute necessity to take this earthly, immediate life with both hands. Although there are several formulations in Nietzsche, the first comes in the Gay Science (341):
‘This life, as thou livest it now, as thou has lived it, thou needst must live it again, and an infinite number of times; and there will be in it nothing new; but every grief and every joy, every thought and every sigh; the infinitely great and the infinitely little in thy life must return for thee, and all in the same sequence and the same order.’
The idea of the eternal recurrence is a metaphysical hypothesis about the fundamental structure of the world put into the service of empowering the individual will to become a law unto itself. As we have seen, Nietzsche rejects all alternative views of freedom like Kantian autonomy or modern liberalism as too ascetic or egalitarian. If the highest thing in the good life is the absolute liberation and supreme empowerment of the creative will, the individual cannot remain prisoner of the past and of time. His interpretation of eternity maintains that all things are knotted together. The mastery in the present moment of willing allows the mastery of the whole because here the past, present and future form an essential unity. A genuine assertion of will in the present simultaneously affirms and conquers both past and future.
23. The sole
purpose of life is the perfection of higher individuals as the expansion of
life itself: its fecundity, vitality and diversity. Nietzsche views nature as
an inexhaustible infinitude. The “highest” is a goal only in the purely formal
sense as what is meant is the multiplication of goals along with the
individuals capable of value creation. This can be viewed as Nietzsche’s
response to the false homogenisation of the abstract philosophical ideal of
humanity. Yet Nietzsche own alternative is not without real theoretical
problems. His own heroes are “lucky throws”; rare and unique fusions of
instinct and reason in a unity that is truly beautiful. As such, these
individuals transcend history and are self-contained consciences programmed
only by their own perfection. To such an individual, “everything is permitted”
that is in accord with the attainment of their own individuality. In this
sense, man is not a goal but a bridge, but without something higher than the
individual human there can be no morality and the results may well be an affront
to every moral standard. Nietzsche does himself discriminate between these
“lucky throws”. He could not abide a purely formal ethics of personality and
tends to impose his own order of rank on the qualities of the self-created
types: nobility, authenticity, strength, generosity and spontaneity. His order
of rank is based on his own elitist, strongly historically embedded values.
This means that Nietzsche’s ethics is either too broad and undiscriminating
(referring simply to higher types) or too narrow and overloaded with his own
personal values (the aristocratic, martial values of pre-Socratic societies).
In the end he vacillates between an open-ended and non-existent alternative to
ascetic ideals or merely affirms the values of his own personal hierarchy that
are so tied to specific social conditions that many seem obsolete in
contemporary conditions.
24. As regards the socio-political domain, Nietzsche’s vision of the future remains fragmentary: he considers numerous possibilities; European unification, centuries of cataclysmic wars, the rebirth of elites and the dissolution of the state with its replacement by new institutions. As his hopes for cultural renewal dissipated, his focus turned more to the future and anticipation of the philosopher of the future and the higher man. Democracy and nihilism may be culturally disastrous but they may also contain the seeds of rebirth. Disorientation may render the masses willing to subordinate themselves to a new caste of masters. For most moderns, it is hard to draw anything really positive from his social vision. Not because it is too fragmentary, but because it reaches back to classical social models. In some fundamental respects these are deeply morally problematic. They sacrifice too much of the central values of a modern liberal democratic society like formal equality.
25. Despite the backward looking and external impetus of this critique, Nietzsche’s philosophy is very much future directed. Life is dynamic, constantly projecting into the future. Only creative dynamism makes life bearable and possible for Nietzsche to affirm it. This is very much in accord with Nietzsche’s understanding of freedom as an absolute creative liberation. His noble individual demands mastery not only over the future but also the past. Yet, as we have seen, by absolutising this will to unconstrained creativity his model becomes entrapped in a sort of eternal necessity and losses all the characteristics we normally associate with freedom. In pursuing freedom to its extreme Nietzsche seems to succumb to its opposite. The same paradox ultimately also haunts the idea of the higher individual. Such an individual is supposed to be a product of a will that produces its own noble morality. Yet at the same time, this will itself is the expression of something that pre-exists, that is only discovered and not made.
26. This sense of paradox also persists in Nietzsche’s vision of modernity. On the surface, one finds a blistering attack on almost every civilisatory achievement of modernity. This has made him the inspiration for all those who are sceptical or weary of the underpinning value system of this society--reason, equality, democracy, science and humanity. Nietzsche also poses very uncomfortable questions about the relationship between culture and violence. He is also amongst the first to pose the problem of the coherence of modern cultural values. We have already seen this with Tocqueville in the political domain. Nietzsche goes further in questioning the compatibility of truth and beauty. Yet, despite this thoroughgoing critique, Nietzsche can neither escape modernity nor does he want to. Remember that nihilism is both sickness and opportunity. The latter is the prospect of the rebirth of a culture of higher individuals going beyond asceticism and nihilism in a constant revolutionising and overturning of values. It is this prospect of ongoing dynamism that renders Nietzsche a prisoner of modernity. This mean both that 1/ Nietzsche’s affirmation of higher creativity and the higher individual presupposes the dynamism that is the product of the society he despises. He wants his Ubermench to possess all the highest cultural trappings of civilisation without all the complicated dependencies and mediations on which they ultimately rest. 2/ Even Nietzsche’s higher individual is not the aristocrat of Homeric Greece but, strangely, in the most general sense also the product of bourgeois liberalism. Ancient individuality remained always embedded in roles whereas Nietzsche wants his higher individual to assert themselves against all previous bonds. Again here Nietzsche fails to acknowledge his reliance on the values of modernity he so comprehensively rejects.
27. Nietzsche represents a further instalment in the saga of modern attempts to find a new critical and undogmatic ground for modernity after the collapse of tradition and religion. I have charted the story from Kant’s notion of transcendental subjectivity, through the Hegelian concept of spirit to the Marxian critique of philosophical ideas of history and humanity in favour of concrete social actors like the proletariat. Yet, even this latter turned out to be a dogmatic myth. Nietzsche, like Marx, criticises the philosophical notion of humanity but for partly different reasons. His complaint is not against the impotence of thought or its abstraction from concrete social relations but against the repressive, homogenising character of this idol, this fiction. Such an ideal represents a real obstacle to historical creation because it sacrifices the great individual to the herd and signifies a deep fear and resentment of independent creativity. Against the leading modern ideals of freedom, justice, equality, Nietzsche wants to affirm a completely original notion of individual autonomy—self-responsibility and self-overcoming in the figure of the Ubermensch. This figure signifies an entirely new basis for the self-grounding of modernity that will rest solely on the creative energies and instincts of the new master individuals. Nietzsche clearly believes he has stripped away all dogmatic dependencies and crutches leaving only the strong creative few to supply a transitory meaning and shape to life itself. Thus the highest individuals are the sole purpose of life that is otherwise a bountiful and amoral chaos.
28. Yet, here Nietzsche’s determination to avoid all illusions falters. He clearly underestimates the importance of society even in the development of individual values. A clear instance of this is the tension between his belief in a dynamic revolutionising culture of the Ubermensch built on relatively static social models drawn from the past. Nietzsche’s attempt to affirm without illusions the contingency of modernity in the shape of creative individuality rests on too narrow a foundation. With the death of God, Nietzsche believes that the highest individuals will take his place. The philosophy of self-overcoming signifies the deification of the individual. This may be historically understandable. Nietzsche consciously reacts against modern society. He has a keen sense of his age. Even more than Tocqueville, he is aghast at the tendencies of mass society and the threat posed by supra-individual economic, political and cultural organizations and processes to the possibility of real and authentic individuality. However, to turn the individual man into God is no solution to the problem of human contingency in a de-anthropomorphised world. Omnipotence is dangerous indeed. We know that absolute power corrupts absolutely. Nietzsche wants his Ubermenschen to possess all the cultural trappings of civilisation yet he fails to fully acknowledge all the complicated mediations and dependencies on which it rests.
24. As regards the socio-political domain, Nietzsche’s vision of the future remains fragmentary: he considers numerous possibilities; European unification, centuries of cataclysmic wars, the rebirth of elites and the dissolution of the state with its replacement by new institutions. As his hopes for cultural renewal dissipated, his focus turned more to the future and anticipation of the philosopher of the future and the higher man. Democracy and nihilism may be culturally disastrous but they may also contain the seeds of rebirth. Disorientation may render the masses willing to subordinate themselves to a new caste of masters. For most moderns, it is hard to draw anything really positive from his social vision. Not because it is too fragmentary, but because it reaches back to classical social models. In some fundamental respects these are deeply morally problematic. They sacrifice too much of the central values of a modern liberal democratic society like formal equality.
25. Despite the backward looking and external impetus of this critique, Nietzsche’s philosophy is very much future directed. Life is dynamic, constantly projecting into the future. Only creative dynamism makes life bearable and possible for Nietzsche to affirm it. This is very much in accord with Nietzsche’s understanding of freedom as an absolute creative liberation. His noble individual demands mastery not only over the future but also the past. Yet, as we have seen, by absolutising this will to unconstrained creativity his model becomes entrapped in a sort of eternal necessity and losses all the characteristics we normally associate with freedom. In pursuing freedom to its extreme Nietzsche seems to succumb to its opposite. The same paradox ultimately also haunts the idea of the higher individual. Such an individual is supposed to be a product of a will that produces its own noble morality. Yet at the same time, this will itself is the expression of something that pre-exists, that is only discovered and not made.
26. This sense of paradox also persists in Nietzsche’s vision of modernity. On the surface, one finds a blistering attack on almost every civilisatory achievement of modernity. This has made him the inspiration for all those who are sceptical or weary of the underpinning value system of this society--reason, equality, democracy, science and humanity. Nietzsche also poses very uncomfortable questions about the relationship between culture and violence. He is also amongst the first to pose the problem of the coherence of modern cultural values. We have already seen this with Tocqueville in the political domain. Nietzsche goes further in questioning the compatibility of truth and beauty. Yet, despite this thoroughgoing critique, Nietzsche can neither escape modernity nor does he want to. Remember that nihilism is both sickness and opportunity. The latter is the prospect of the rebirth of a culture of higher individuals going beyond asceticism and nihilism in a constant revolutionising and overturning of values. It is this prospect of ongoing dynamism that renders Nietzsche a prisoner of modernity. This mean both that 1/ Nietzsche’s affirmation of higher creativity and the higher individual presupposes the dynamism that is the product of the society he despises. He wants his Ubermench to possess all the highest cultural trappings of civilisation without all the complicated dependencies and mediations on which they ultimately rest. 2/ Even Nietzsche’s higher individual is not the aristocrat of Homeric Greece but, strangely, in the most general sense also the product of bourgeois liberalism. Ancient individuality remained always embedded in roles whereas Nietzsche wants his higher individual to assert themselves against all previous bonds. Again here Nietzsche fails to acknowledge his reliance on the values of modernity he so comprehensively rejects.
27. Nietzsche represents a further instalment in the saga of modern attempts to find a new critical and undogmatic ground for modernity after the collapse of tradition and religion. I have charted the story from Kant’s notion of transcendental subjectivity, through the Hegelian concept of spirit to the Marxian critique of philosophical ideas of history and humanity in favour of concrete social actors like the proletariat. Yet, even this latter turned out to be a dogmatic myth. Nietzsche, like Marx, criticises the philosophical notion of humanity but for partly different reasons. His complaint is not against the impotence of thought or its abstraction from concrete social relations but against the repressive, homogenising character of this idol, this fiction. Such an ideal represents a real obstacle to historical creation because it sacrifices the great individual to the herd and signifies a deep fear and resentment of independent creativity. Against the leading modern ideals of freedom, justice, equality, Nietzsche wants to affirm a completely original notion of individual autonomy—self-responsibility and self-overcoming in the figure of the Ubermensch. This figure signifies an entirely new basis for the self-grounding of modernity that will rest solely on the creative energies and instincts of the new master individuals. Nietzsche clearly believes he has stripped away all dogmatic dependencies and crutches leaving only the strong creative few to supply a transitory meaning and shape to life itself. Thus the highest individuals are the sole purpose of life that is otherwise a bountiful and amoral chaos.
28. Yet, here Nietzsche’s determination to avoid all illusions falters. He clearly underestimates the importance of society even in the development of individual values. A clear instance of this is the tension between his belief in a dynamic revolutionising culture of the Ubermensch built on relatively static social models drawn from the past. Nietzsche’s attempt to affirm without illusions the contingency of modernity in the shape of creative individuality rests on too narrow a foundation. With the death of God, Nietzsche believes that the highest individuals will take his place. The philosophy of self-overcoming signifies the deification of the individual. This may be historically understandable. Nietzsche consciously reacts against modern society. He has a keen sense of his age. Even more than Tocqueville, he is aghast at the tendencies of mass society and the threat posed by supra-individual economic, political and cultural organizations and processes to the possibility of real and authentic individuality. However, to turn the individual man into God is no solution to the problem of human contingency in a de-anthropomorphised world. Omnipotence is dangerous indeed. We know that absolute power corrupts absolutely. Nietzsche wants his Ubermenschen to possess all the cultural trappings of civilisation yet he fails to fully acknowledge all the complicated mediations and dependencies on which it rests.